Latest
issue I+II/2008:
Hans Rott as
a patient of 19th
century psychiatric care in Vienna
“Indeed I am not far from lunacy ...“
Hans-Roland Stegemeyer |
From
the contents of issue I+II/2007:
The Autograph
of the First Movement
of Hans Rott’s Symphony in E major
Bert Hagels |
From
the contents of issue II/2006:
On
the Fragment of a Poem by Friedrich Löhr
A “Symphonic Fragment“ dedicated to Hans
Rott‘s 1st Symphony
Uwe Harten |
From
the contents of issue I/2006:
This issue focuses
on
Hans Rott‘s Prelude to “Julius Caesar“
Irritation that may
turn into Pleasure
Hans Rott‘s Prelude to “Julius Caesar“
Jens Schubbe
A Prelude
to “Julius
Caesar“
Frank Litterscheid |
From
the contents of issue
II/2005:
This issue focuses on
Hans Rott‘s Suite in E major
on the occasion of its world premiere on April 12, 2005 in Hagen/Westphalia
The Orchestra
Suite in E major (1878) by Hans Rott and its Importance for
Gustav
Mahler‘s First Symphony
Jörg Rothkamm |
From
the contents of issue
I/2005:
Encountering Hans
Rott on the Organ
Absolutely subjective thoughts of a transcriptor
Erwin Horn
A Revolution
in Music History
A talk with with conductor Ryusuke Numajiri on the eve of
the first Japanese performance of the Symphony No. 1 in E major
(Hans
Rott) in Tokyo
Part 2
Klaus-Dieter Schramm
|
From
the contents of issue
I/2004:
How Slow
is “Very
Slow“?
Impressions of the performance of the Symphony No. 1 in E
major by the WDR Sinfonieorchester Köln with Neeme Järvi
conducting on October 16, 2004
Frank Litterscheid
"This
Dig has been Worthwhile"
General Music Director Catherine Rückwardt talks about
her work on Hans Rott‘s Symphony No. 1 in E major
The Bells of Kiruna
Hans Rott going north
Hannelore Wirth
(Hans
Rott) in Tokyo
Part 1
Klaus-Dieter Schramm
How Hans Rott came
to the Aargau
Some personal remarks on the world premiere of Rott‘s
String Symphony
David Schwarb |
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